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06年GRE模拟试题第8部分

2006-07-06 23:14

  25.According to the passage, which of the following

  best explains the reaction of serious contemporary

  photographers to the question of whether photogra-

  phy is an art?

  (A)The photographers' belief that their reliance on

  an impersonal machine to produce their art

  requires the surrender of the authority of their

  personal vision

  (B)The photographers' fear that serious photography

  may not be accepted as an art by the contem-

  porary art public

  (C)The influence of Abstract Expressionist painting

  and Pop Art on the subject matter of the mod-

  ern photograph

  (D)The photographers' belief that the best art is

  subversive of art as it has previously been

  defined

  (E)The notorious difficulty of defining art in its

  relation to realistic representation

  26.According to the passage, certain serious contempo-

  rary photographers expressly make which of the

  following claims about their photographs?

  (A)Their photographs could be created by almost

  anyone who had a camera and the time to

  devote to the activity.

  (B)Their photographs are not examples of art but

  are examples of the photographers' impartial

  observation of the world.

  (C)Their photographs are important because of

  their subjects but not because of the responses

  they evoke in viewers.

  (D)Their photographs exhibit the same ageless

  principles of form and shading that have been

  used in painting.

  (E) Their photographs represent a conscious glori-

  fication of the mechanical aspects of twentieth-

  century life.

  27.It can be inferred from the passage that the author

  most probably considers serious contemporary

  photography to be a

  (A) contemporary art that is struggling to be

  accepted as fine art

  (B) craft requiring sensitivity but by no means

  an art

  (C) mechanical copying of reality

  (D) modern art that displays the Modernist tendency

  to try to subvert the prevailing aims of art

  (E) modern art that displays the tendency of all

  Modernist art to become increasingly formal

  and abstract

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