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06年GRE模拟试题第7部分

2006-07-06 23:12

  21.In the passage, the author is primarily concerned

  with

  (A) defining the Modernist attitude toward art

  (B) explaining how photography emerged as a fine

  art after the controversies of the nineteenth

  century

  (C) explaining the attitudes of serious contemporary

  photographers toward photography as art and

  placing those attitudes in their historical context

  (D) defining the various approaches that serious

  contemporary photographers take toward their

  art and assessing the value of each of those

  approaches

  (E) identifying the ways that recent movements in

  painting and sculpture have influenced the

  techniques employed by serious photographers

  22.Which of the following adjectives best describes

  “the concept of art imposed by the triumph of

  Modernism“ as the author represents it in lines25-27?

  (A) Objective

  (B) Mechanical

  (C) Superficial

  (D) Dramatic

  (E) Paradoxical

  23. The author introduces Abstract Expressionist

  painters (lines 34) in order to

  (A) provide an example of artists who, like serious

  contemporary photographers, disavowed

  traditionally accepted aims of modern art

  (B) call attention to artists whose works often bear

  a physical resemblance to the works of serious

  contemporary photographers

  (C) set forth an analogy between the Abstract

  Expressionist painters and classical Modernist

  painters

  (D) provide a contrast to Pop artists and others who

  created works that exemplify the Modernist

  heritage in art

  (E) provide an explanation of why serious photog-

  raphy, like other contemporary visual forms,

  is not and should not pretend to be an art

  24.According to the author, the nineteenth——century

  defenders of photography mentioned in the passage

  stressed that photography was

  (A) a means of making people familiar with remote

  locales and unfamiliar things

  (B) a technologically advanced activity

  (C) a device for observing the world impartially

  (D) an art comparable to painting

  (E) an art that would eventually replace the

  traditional arts

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